2008
2008 - Wednesday, April 9, 2008 18:53 - 0 Comments
Spring 2008
POP SHOTS
Split Screen, by Anthony Morrison
Cloverfield Is A Journey, by Alex Ross Perry
Cam’ron: Auterist Provocateur Extraordinaire, by Vadim Rizov
Why New York Always Needs To Be Destroyed, by Ricky D’Ambrose
THE POLITICS OF CINEMA
We’re All in Film School Now, by Gleb Sidorkin
An Op-Ed on the Responsibility of Images
Rescuing Reality, by Alex Haber
The (Integrally) Real Story of Pfc. Jessica Lynch
The Age Of Guilt, by Zachary Wigon
Torture Porn Cinema as a Cultural Wish Fulfillment
The Confusion over Culture, by Lauren Kogan
Film Trade Politics and Economic Rhetoric
New Russian Holy War, by Gleb Sidorkin
Religious and Military Symbolism in the Putin Era
Just Going to a Weekend Protest wasn’t Getting it Done, by Zachary Wigon
An Interview with Ryan Fleck
THEORY AND CRITICISM
The Passion of Iwo Jima, by Dan Chyutin
Clint Eastwood Takes on America’s Myths
The Truth Of The Body, by Mikhail Iampolski
translated by Gleb Sidorkin
Antonioni’s Descendants, by Ricky D’Ambrose and Vadim Rizov
Two Looks At The Master of Urban Alienation’s Influence (Or Lack Thereof) On Chantal Akerman And Edward Yang
INTERVIEWS
The Memories of Spaces
An Interview with Ry Russo Young
The Politics of Producing
A Conversation with Alan Ladd Jr.
What They Don’t Teach You In Film School
An Interview With Noah Baumbach
